BIG XVI is changing lanes in the local hip-hop scene with his versatile sound and genuine storytelling.
The dynamic recording artist blends hard-hitting lyricism, melodic rap, trap, and tropical influences to create music that connects with listeners from all walks of life.

Raised by a mother who insisted on education and strong articulation, he credits his family foundation and lifelong passion for music with shaping his path. “That, and my love for music, pushed me to be the artist I am today.”

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The writing process is his biggest foundation, but the flow clicks once the message is clear. “I grew up listening to a lot of different sounds, so the flow almost comes instinctively.”

Standout releases include Piped UPP, featuring Truce Laurent, and the Amapiano-influenced Makhathini, both available on all major platforms.

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BIG XVI is committed to building a vibrant hip-hop culture through collaborations. “I am trying to create and nurture a culture that’s all about hip hop. Working with as many local artists as I can allows me to expand my reach. It also helps me improve my sound because I am able to learn from other artists. I back myself on any day, but there’s always room for improvement.”

Representing African hip hop globally is a major motivation. “There is a misconception that African hip-hop artists lack the lyrical ability to compete with the best in the world. Changing that narrative would mean the world to me.

“The challenge right now is marketing. Polokwane especially, is limited when it comes to marketing opportunities for hip hop artists. So much so, that most artists usually migrate to get better opportunities. I want to change that.”

Looking ahead, he dreams of major success while uplifting his roots. “I want to make it big, and when I do, I want to build around my city. I want to see hip hop embraced on the same level as other genres like lekompo and amapiano.” Dream collaborations include Nasty C and Blxckie.

His message to local artists is: “Do it because you love it, not because it makes money. That is one reason I’m still pushing. I’ve been making music for some time now and it hasn’t been profitable. If it wasn’t for my love for the game I would have thrown in the towel. I think people need to show up more for local artists by playing, sharing, and engaging with our music.”

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