Wilhelm Schmidt from Cullinan: Reflections of a full-time sculptor and artist
From inspiration to creation - discover the challenges, inspirations and achievements of a seasoned sculptor as he shares his personal journey of creating magnificent works of art. Get an exclusive glimpse into the creative process and the philosophies that drive his passion for art.
Wilhelm Schmidt is a visual artist whose work is primarily focused on sculpture and painting. His sculptures often feature abstract forms, with occasional non-figurative elements included for variety.
Meanwhile, his paintings are characterised by a conceptual approach that underlies all of his work.
Schmidt’s art reflects a deep interest in exploring the intersection of form and meaning and his work has been exhibited in galleries and museums around the world.
Streeknuus visited this Rayton local to chat about his art, his inspiration, and more.
Tell us about your technique?
In terms of my artistic methodology, I prefer to refer to the materials I use as my ‘mediums’, rather than using the term ‘technique’, as it can be a multifaceted concept. My favoured mediums in my sculpture work include cast bronze, mild steel, stone, and wood.
In my conceptual paintings, I employ a varied range of materials to achieve the desired effect. To explore my work and see some examples, visit my website at https://lemuelac.wixsite.com/schmidtonart
What message or emotion do you hope to convey through your art?
I do not intend my art to convey any specific message or emotion. Rather, my focus is on expressing my creative drive and honing my technical skills through sculpture and painting.
It is up to each viewer to interpret my work based on their personal background and knowledge. I am pleased if my art resonates with someone, but I do not seek to control their perception.
My ultimate goal is to provide a visually stimulating experience that encourages viewers to see the world freshly and innovatively. While some may perceive a message, it is not my primary objective.
What do you think is the role of visual art in society?
Visual art plays a multifaceted role in society by serving as a means of communication between the artist and the public.
It can be used as a platform for social commentary, education, or even as a shock tactic to convey a specific idea or to introduce viewers to beauty.
However, the validity of this statement is subject to debate, as the proverbial saying holds true, ‘beauty is in the eye of the beholder.’ Therefore, the viewer’s contribution to the assessment and evaluation of art is crucial.
How do you stay motivated and inspired to create new work?
After more than fifty years as a full-time sculptor and artist, I no longer need to seek out motivation or inspiration.
The creative process has become a natural and instinctive part of my being.
It permeates my entire way of thinking and living, and I no longer have to consciously ponder it. It occurs automatically.
Who are some of your biggest artistic influences, and why?
Henry Moore was my foremost mentor. Later on, I drew inspiration from Eduardo Chillida, Brancusi, Giacometti, Arp, and Marcel Duchamp, particularly about their perspectives on art and fine art. These individuals are renowned artists, and to gain wisdom, one should learn from the greatest.
What has been the biggest challenge you have faced as an artist and how did you overcome it?
Juggling full-time artistry, supporting a family, generating income, attending part-time studies at Tuks and Unisa, and maintaining a facade that life is a melody presented the greatest challenge.
The highlight of my artistic career is the abstract monumental chess design at the 17th China International Sculpture Symposium in Changchun in 2016. The reason: I could never have made the sculpture at my own expense. The bronze process is too expensive.
Coupled with that is the special honour that befell me during the symposium – only 13 works of international sculptors were selected for the symposium. On average, Changchun receives between 2 000 and 3 000 entries per symposium.
During the previous symposium in which I participated in 2011, there were 100 selected artists. So, we were a reasonably exclusive group of sculptors during the 17th symposium.
How do you see your art evolving in the future?
I am carrying on with my work. At present, I am busy creating a dozen sculptures and several paintings.
Are any shows coming up anytime soon or currently running?
Exhibitions are now secondary. The focus is on producing work because time is running out.
How can people see more of your work?
All available works are on the website and are updated as new works are completed: https://lemuelac.wixsite.com/schmidtonart
