Unplugged and Unreleased uplifts local and Pan-african talent
Unplugged and Unreleased is a passion-driven project born from a collaboration between the Dream Stream Team (a media group) and Damage Control RSA (a musical duo).
Tsakani – Unplugged and Unreleased is a passion-driven project born from a collaboration between the Dream Stream Team (a media group) and Damage Control RSA (a musical duo).
When it was launched early this year, it was not just another podcast; it was created with a mission – to give artists a platform for their craft while gaining them recognition from the public and other artists.
“We wanted to give raw, original artists a platform in an industry that often overlooks them. Too many voices go unheard in the industry. This was our way of saying that their story and music matter,” explained Damaged RSA member Nkosinathi Masango.
“The show provides a unique experience for viewers watching on YouTube. It promotes positivity by showcasing local talent, providing a platform for self-expression and fostering a sense of community.
“Our collaboration’s vision is to uplift and unite local talent, and the show is gaining momentum on- and offline.”
The podcast gained motivation from seeing talent constantly overlooked. The team wanted to bridge the gap by offering rising artists the same respect and visibility usually reserved for big names.
“Our first episode pulled in an impressive 16 000 views, confirming that audiences were hungry for this kind of content. Since then, every episode has drawn over 2 000 views, and the show has grown into a movement with a presenting team and hosts influential artists.
“Growth is evident in the numbers, the social media engagement, invitations to radio and blogs and approaches from established artists, as well as the ability to connect beyond SA’s borders,” added Masango.
Masango said their biggest highlight so far includes hosting artists Mpho ‘Taded’ Ncholo, Trance Martin and Siziwe Ngema, and that their platform has connected with international voices like Rebo Dee from Zimbabwe and Kiki Swahili from Namibia, both based in SA.
“Those moments made me realise this is bigger than just a show; it is a cultural bridge,” he said.
International features have strengthened the show’s Pan-African identity, proving music knows no borders and offers audiences fresh sounds and stories while uniting cultures. The podcast’s strongest point includes a balance between identifying stars and rising talent.
“One episode might showcase an upcoming artist with raw energy, while the next spotlights a well-known figure who brings reach and numbers. Both are treated with equal respect. Still, the journey has not been without its challenges, especially in terms of funding.
“Quality production without sponsors is not an easy thing to do, but the team has learned that consistency, creativity, and community support can outweigh budget limitations,” cited Masango.
He emphasised that many artists often returned to thank them for giving them the spotlight they deserved, saying it made them feel seen and heard.

”The feedback serves as a powerful reminder that our work is more than entertainment; it is about validation, inspiration and cultural connection. Preparing for each episode requires thorough research into every artist’s story, influences and journey to ensure conversations feel personal and fresh.
“This has helped position the show as entertainment and a platform for education and cultural exchange,” he mentioned.
“Looking ahead, the team sees Unplugged and Unreleased moving onto TV, touring Africa and cementing its place as one of the continent’s premier stages for discovering new voices.
“With dreams of one day hosting artists like Burna Boy or Ami Faku, the vision remains rooted in originality and storytelling through music.”
Their advice to young people hoping to break into the music or media spaces is to start small, stay consistent, never to wait for the perfect time and let passion lead the way.
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