Peter Pan gets a new spin review (trailer)

Pan is director Joe Wright's reimagined version of the beloved JM Barrie story of Peter Pan, with liberties taken on all fronts.


It includes an onslaught on the senses which removes all the whimsy and child-like wonder of the original. There is no Wendy or Nana the dog, or the brothers, but there is a mean-spirited pirate named Blackbeard (Hugh Jackman), another named James Hook (Garrett Hedland) with hand still intact, and a younger Peter, who has not yet learnt to fly.

Wright has taken the story back to the beginning, which opens with Peter being dumped as a baby on the steps of a convent. His fleeing mother (Amanda Seyfried) has left him with a silver Pan Pipes medallion and a letter explaining her actions.

Peter is brought up in a Dickensian orphanage by a horrible group of uncaring nuns during World War II and when he reaches the age of 12 he’s whisked away on a pirate shop to Neverland where a new adventure awaits him and the discovery of his true identity.

Young Aussie newcomer Levi Miller displays a maturity beyond his years as the mischievous Peter. The innocence of the original tales is replaced by a “chosen one” narrative thrust, a bombardment of anachronistic music, punk-type clothing designs and themes of child labour and warfare.

This is no fairy tale, but Wright manages to sustain a level of interest as Peter, with the help of Tiger Lilly (Rooney Mara) and Hook take on Blackbeard’s pirates.

Though visually striking, Pan lacks an important ingredient: magic.

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