‘Napoleon’ movie too ‘anti-French’ for some in France
Early reviews praise the epic battle scenes, but some French critics express disappointment in the portrayal of their iconic figure.
British director Ridley Scott, his wife Costa Rican actress Giannina Facio (L) and US actor Joaquin Phoenix pose during the photocall for the world premiere of the film Napoleon, in Paris on November 14, 2023. (Photo by Geoffroy Van der Hasselt / AFP)
The French have had decidedly mixed early reactions to Ridley Scott’s “Napoleon”, which premiered in Paris this week, with one historian calling the movie “very anti-French”.
The first reviews have been unanimous in their praise of the huge-scale battle scenes that punctuate the film, which is released worldwide from next Wednesday.
But some French critics and experts who saw early previews were less than impressed with the depiction of their most famous historical figure, played by “Joker” star Joaquin Phoenix.
Historian Patrice Gueniffey told Le Point magazine that Scott “clearly doesn’t like Napoleon”.
“We are treated to a caricature of an ambitious Corsican ogre, a sullen boor, who is also disgusting with his wife, Josephine,” said Gueniffey, who also took issue with the “fanciful” statistics at the end of the film saying Napoleon was responsible for three million deaths.
Spoiler alert: the film concludes with Napoleon’s defeat at the Battle of Waterloo, which Gueniffey took as proof of English-born Scott’s “very anti-French and very pro-English” approach.
Others felt that was unfair.
“(Scott’s) view of the man is not flattering, but nor does it ignore what made his greatness,” wrote reviewer Jean-Philippe Gunet on X, formerly known as Twitter.
There have been grumbles about the historical accuracy of some details.
In a YouTube video, Emilie Robbe, a Bonaparte expert at France’s Army Museum, argued that Napoleon never fired on the pyramids in Egypt, while British historian Dan Snow said Napoleon was not present at the execution of Marie-Antoinette, which opens the film.
Scott has responded bluntly to such fact-checking. “Get a life,” he said in the pages of the New Yorker.
Some French critics were just a bit bored, however.
“Far from the expected epic biopic, ‘Napoleon’ proves too dull and didactic to live up to its subject,” wrote Les Numeriques.
Popular TikTok reviewer Mehdi Omais said it felt “more like a Wikipedia page than something deeply explored.”
– By: © Agence France-Presse